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Maximilian Wiedemann

Maximilian Wiedemann is an internationally recognised artist who has exhibited in Germany, UK and the USA. He is best known for the acute social commentary within his work and high end collaborations within the fashion and art industries.

Wiedemann’s artworks cover a wide variety of media including spray paint, neon lights and sculpture, often combining brands and images representative of contemporary luxury and glamour with bold and witty statements like Money Talks But has Nothing to Say, Closer To God in Heels, and The Only Pain is Champagne.

He has collaborated with famed celebrity photographer Tyler Shields, painted Lindsay Lohan, painted supermodel Elle MacPherson for the cover of the UK’s The Big Issue, worked with following supermodel Caprice Bourret, and painted a selection of artist’s for VH1’s Divas which resulted in his billboards being seen all over the States.

“Wiedemann, whose recent portrait of Elle MacPherson made the front cover of The Big Issue, is famous for turning culturally iconic images or brands on their heads. American excess, society’s obsession with celebrity and the brash side of popular culture are all central themes in his work. His talent lies in giving audiences his own perspective on current issues and individuals and creating works which contain more truth than the original image, along with his own brand of wry humour and subversion.” – Art Rabbit

Max Wiedemann first appeared in the spotlight after Karl Lagerfield noticed his work and purchased a piece. This was followed by an introduction to the Editor of French Vogue, a meeting which later brought him an important commission by VH1 for a series of paintings of Leona Lewis, Miley Cyrus and Adele. 

This was only the beginning and many more important commissions were to come including work with BMW and most lately with Jet Edge during Miami Basel.

Max Wiedemann cites many influences on his work: from his 10-year career in advertising, where he learnt that art is a powerful medium in communicating what is relevant in our society; to artists Basquiat and Warhol, whom he is often compared to for his screen-printing techniques and mass reproduction. He sees himself as a follower of Andy Warhol and believes if Warhol was to be living today he would be painting bottles and Rolexes as well.  

Wiedemann has been exhibiting and curating both collective and individual shows throughout Europe since 1999 and is represented in various collections around the world, most recently in Los Angeles.

“I’m not about landscapes or pretty colours. I am trying to make a statement. My painting is raw but that’s the passion behind it. I capture the moment. My talent will only lay in communicating my art and if people get it, appreciate it and buy it then I have succeeded in my mission as an artist.” – Maximilian Wiedemann

For more information on Wiedemann, here are his top features: 


Huffington Post


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Well Hung – Tyler Shields Collaboration

Elite or Delete

Closer to God in Heels

Dead Presidents


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